November 28, 2012

Jason Isbell

That New Southern Style

Jason Isbell & the 400 Unit

With his knack for narrative, you might imagine that singer-songwriter and former Drive-By Trucker Jason Isbell comes from a long line of storytellers. And you’d be close—sort of. Isbell’s Muscle Shoals, AL upbringing was full of stories all right, but his family and friends were more likely to be the characters than the tellers.

"I like being from Alabama, because I like my family," Isbell tells Flagpole during an afternoon break from recording with his girlfriend, singer and violinist Amanda Shires, at Athens' Chase Park Transduction. "I liked growing up around people who were either ex-convicts or Pentecostal preachers. That’s what most of my family was. At least my dad’s side of the family; when I was growing up, they were either one or the other, usually. And it just makes for an interesting bunch of people to go home with. Makes the family reunions go by a little bit quicker."

It makes pretty great musical fodder, too. Since leaving the Truckers in 2007, Isbell has spent three albums mining his community for material, like on the homecoming story-song "Tour of Duty," the opening track to his new album Live from Alabama.

"It’s really important to me to write about things that I know, things that I’m familiar with," says Isbell, who penned the tune while thinking of both his friends who had returned from war and his own experiences on the road.

Among other familiar moments on the record, which chronicles two Alabama shows from this past summer, are a handful of songs Isbell contributed to the Truckers catalog, including "Outfit" and "Decoration Day." And if die-hard fans had any doubt about Isbell’s talent as a solo artist, his work since his departure from the band dispels it. Older Truckers songs seem right at home on Live from Alabama, nestled amid newer solo work and a cover of Candi Staton’s "Heart on a String."

"This next song was originally recorded at Fame Studios in Muscle Shoals back in 1970. Yeah, right down the road," Isbell is heard saying on the recording, his voice hinting at the pride he feels in his hometown’s history.

"I definitely don’t feel like I would be the musician that I am, or the type of songwriter, had I not come from that particular place," he says now. "The soul music that came out of there, and a lot of the soul-influenced rock and roll and country music that came out of the studios in north Alabama in the '60s and '70s had a big influence on me."

But Isbell isn't tethered to the past. Like the Truckers, Shovels & Rope and The Avett Brothers, Isbell’s blend of country and soul challenges old notions about Southern music.

"A lot of [us] wind up in the Americana category. I think that’s where a lot of the best music is being made," he says. "But I do think it has become a catchall for a lot of different song-focused styles of music that really derive from the song rather than trying to create something that falls into a certain genre… I don’t care what kind of band I’m in. I just want to be in a band, so I can write songs."

Those songs, which Isbell aptly describes as "music with a rural edge and sometimes a rural subject matter that’s not country music at all," have turned out to be quite popular. In the last year, Isbell and his band, The 400 Unit, have broken into the Billboard 100 (with 2011’s Here We Rest), played on "Letterman" and "Mountain Stage" and relocated to Nashville.

“It has been crazy, but it’s been a good year. I quit drinkin' about nine months ago, and that was a really good idea. That’s something that helped me out a whole lot. I’ve been a lot more prepared in general,” Isbell says, noting that touring has been easier, though he feels the anxiety of getting onstage much more acutely.

You wouldn’t know it from seeing him perform. Onstage, he is capable and confident. Of course, it takes a certain kind of confidence to commit a felony, too, or to get up on a Sunday and preach. Maybe Isbell’s gift for storytelling doesn’t exactly come from his genes, but the legacy of his Muscle Shoals upbringing—the people, the culture, the music—stays with him one way or another.