Photo Credit: Andrew Hreha
Best known for playing an exaggerated version of himself on NBC’s “The Office,” Creed Bratton has a storied history as an American icon. In the late 1960s, Bratton was recruited to be the lead singer and guitarist in folk-rock group The Grass Roots. During his brief time with the band, it released its most enduring single, “Let’s Live for Today." Years later, he began a new career as an actor, taking bit parts in a slew of TV shows and movies before landing the “Office” role and becoming one of the show’s most popular figures. Bratton has also released music under his own name since the early 2000s. His current tour is a unique mix of comedy and music that aims to please fans from every generation.
Ahead of his show at The Foundry Monday, May 8, Flagpole picked Bratton’s brain on his unique dual career, the current state of his live show and what he thinks the future may hold. (Warning: Some his answers may or may not be facetious.)
Photo Credit: Greg Pallante
Comedian Jim Breuer has been active for nearly three decades, and shows no signs of slowing down. Anyone raised on copious amounts of Comedy Central will know Breuer for his late-'90s run on "Saturday Night Live," as well as his role in the cult-classic stoner film Half Baked. Breuer’s most potent material, however, is his unique stand-up comedy.
Photo Credit: Anna Staddon
After dropping off the radar following 2014’s brilliant Genesis full-length, local psychedelic hip-hop producer murk daddy flex has returned with a triumphant new EP, Bring on the Major Leagues, which he will perform in its entirety Tuesday, Apr. 4 at the Athens Institute for Contemporary Art. Flagpole caught up with the man behind the murk, Terence Chiyezhan, for an interview.
If you're just back in town and looking for a way to properly ring in the New Year on this fifth day of January, you could do a lot worse than The Foundry, where Allman Brothers drummer Butch Trucks will perform with his newly formed Freight Train Band.
When Caleb Keith isn’t moonlighting as a country singer and songwriter, he’s a doctoral candidate at the University of Georgia’s Institute of Higher Education and the senior coordinator for assessment and research in the Department of Student Affairs, Assessment and Staff Development. A full-fledged Dawg who pursues his musical passions on the side, his life encompasses two different takes newcomers and outsiders have on the promises and opportunities of this tight-knit college town.
Keith will be chasing a different dream soon, once he relocates to Arkansas and begins a new career at the University of the Ozarks. In anticipation of his farewell show this Saturday at Flicker, Keith talked to Flagpole about his overall Athens experience.
Photo Credit: Matt Pence
It’s not unfathomable that a currently inactive band like Centro-matic can have its legacy positively—and constantly—reconfigured in our digital age. Thanks to recently tweeted endorsements from artists like Jason Isbell, the indie darlings from Denton, TX are experiencing something of a renaissance, despite disbanding in 2014. Frontman Will Johnson is keeping his former band’s brand of rock and roll abstraction alive through contemplative solo releases and incessant touring. Johnson takes a break from an Undertow Music-endorsed living room jaunt around the U.S. to perform at Normaltown Hall on Sunday, Oct. 9.
There is an immutable elegance lying at the heart of every one of life’s struggles. The tension that binds the spaces between hope for retribution and total breakdown is rich fodder for Omaha, NE songwriter Simon Joyner. With his latest album, Grass, Branch & Bone, Joyner summons his most compelling stories via the derelict Midwestern landscape and the characters he finds there, lost in moments of hopeless abandon and glowing nostalgia.
This Wednesday, Athens residents will have the opportunity to experience some of the best music Cuba has to offer.
The recent lifting of the U.S. travel ban has ushered in a new era in American-Cuban relations. The Havana Cuba All-Stars are celebrating this development by touring the U.S. and Canada for the first time.
Photo Credit: Lisa King
Even before the storied gothic post-punk outfit Bauhaus called it quits in 1983, singer and bass player David J Haskins’ solo aspirations were already brewing. The same year that Bauhaus’ four members parted ways, Haskins—known as David J—released his debut solo album, Etiquette of Violence.
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