Photo Credit: Brian Hall/Red Bull Content Pool
Last week, Red Bull held its annual Culture Clash event in Atlanta for the first time. For those who don’t know, Culture Clash is basically the summer blockbuster version of a sound clash competition. Originating in Jamaica, a sound clash features two or more groups of artists and DJs coming together to battle it out on stage, with the crowd deciding who reigns supreme by the end of the night. Crews spin their best tunes and bring out artists to perform and play “dubs”—remixed or re-recorded versions of popular songs that are meant to shout out their crew and diss the competition.
Led by Boston-based musician Ellen Kempner, Palehound played a strong set at the Georgia Theatre Thursday evening. The band’s set mostly consisted of songs from its excellent, recently released sophomore album, A Place I’ll Always Go. Kempner’s wonderful, deeply personal and at times quite heavy lyrics were on display, and her exceptional and unique guitar playing grabbed everyone’s full attention from start to finish. Infectious song-of-the-summer contender “Flowing Over” was the biggest highlight of the band’s unfortunately brief performance.
Photo Credit: Andrew Hreha
Best known for playing an exaggerated version of himself on NBC’s “The Office,” Creed Bratton has a storied history as an American icon. In the late 1960s, Bratton was recruited to be the lead singer and guitarist in folk-rock group The Grass Roots. During his brief time with the band, it released its most enduring single, “Let’s Live for Today." Years later, he began a new career as an actor, taking bit parts in a slew of TV shows and movies before landing the “Office” role and becoming one of the show’s most popular figures. Bratton has also released music under his own name since the early 2000s. His current tour is a unique mix of comedy and music that aims to please fans from every generation.
Ahead of his show at The Foundry Monday, May 8, Flagpole picked Bratton’s brain on his unique dual career, the current state of his live show and what he thinks the future may hold. (Warning: Some his answers may or may not be facetious.)
Photo Credit: Greg Pallante
Comedian Jim Breuer has been active for nearly three decades, and shows no signs of slowing down. Anyone raised on copious amounts of Comedy Central will know Breuer for his late-'90s run on "Saturday Night Live," as well as his role in the cult-classic stoner film Half Baked. Breuer’s most potent material, however, is his unique stand-up comedy.
Red Bull’s Sound Select monthly music showcase comes to Athens this week with a killer lineup of rising hip hop stars.
The event is being headlined by D.R.A.M., a Virginia-based rapper who recently attained superstar status with this year’s biggest hip hop crossover hit, “Broccoli.”
On Wednesday, Aug. 26 at the Caledonia Lounge, local band scooterbabe will play its first show in Athens in nearly a year. The indie-pop trio played what was erroneously labeled as its “final show” last Halloween right before lead guitarist and vocalist JJ Posway moved to Brooklyn.
In the last year, scooterbabe still managed to release a career-spanning compilation and a standalone single. The band also played one show in New York, with Posway serving as the only original member. Unfortunately, even though Posway is back in Georgia for the time being, original drummer Grafton Tanner is moving to Chicago. It’s unclear how or if scooterbabe will move forward after Wednesday's show.
Flagpole talked to Posway about the initial rise of scooterbabe, why he left Athens when he did and what it feels like to come back.
Photo Credit: Mike White
From the thick smell of dude-sweat to the garbage water that leaked all over my shoes halfway through Ruby the Rabbitfoot’s set, Caledonia’s fourth annual Dirty Athens day party lived up to its name.
Co Co ri Co was the first big highlight of the day, with a catchy-as-hell, fun performance. I suspect those who were disappointed by Reptar’s main stage set on Friday (and by all accounts, that seems to be a lot of people) would have appreciated this performance a lot more. Judging by the crowd’s positive reaction, this is the kind of avant-garde dance-rock people are looking for out of Athens right now.
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