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Vandermark 5: New Influences Added Daily

originally published September 26, 2001

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The Vandermark 5 members have similarly active performing schedules and demands. Saxophonist Dave Rempis is busy with his trio Triage, and the Factions & Fissures Double Trio. Trombonist Jeb Bishop leads his own trio, and is in demand as a sideman. Double-bassist Kent Kessler is in DKV Trio with Vandermark and drummer extraordinaire Hamid Drake, and also in pianist Georg Graewe's phenomenal quartet. Drummer Tim Mulvenna is one the most active percussionists in Chicago, playing everything from jazz to wedding gigs.

New ideas are thus brought to the table for Vandermark 5, the leaders' primary compositional outlet.

"The Vandermark 5 has had its own five-album, five-year trajectory based on developments within the chemistry and communication of the individuals in the band, and on developments in my own musical ideas," says Vandermark.

How does a bandleader maintain a "sound" without the band growing stagnant?

"Of course shifts in interests of the members have resulted in changes in the band's aesthetics over time, and many times these developments have been caused by working in projects outside of the Five," Vandermark says. "I'd say one of the biggest changes in the sound of the group is due to the fact that Jeb Bishop no longer plays the electric guitar, so the band is dealing with a less ’electric' sound."

Bishop has stopped playing guitar altogether, and is concentrating on trombone. This could sink a rock band, but the Vandermark 5 has not altered course significantly.

Ken explains the adjustment: "In terms of composing, I've attempted to keep the stylistic diversity despite this change, which has forced the members to dig deeper into the sonic capabilities of their instruments and playing, so we don't lose any color possibilities in the absence of the guitar."

Vandermark has listened to just about every style of music, and nothing escapes his notice. Not limiting the Vandermark 5 to one notion of a jazz group, he says, "I'm mainly interested in incorporating whatever musical ideas inspire me, whatever the source. Right now this includes Delta blues music, Morton Feldman, Misha Mengelberg and James Brown, plus about a thousand others..."

Even a cursory listen to the Vandermark 5 reveals all these influences, though the music is always distinctly new. Vandermark is fortunate to live in Chicago, where there is plenty of music happening; there he gets to see how others deal with appropriating the past. However, since he's been traveling more and more, he has to work when he gets back to Chicago to find out what's going on.

"There are a number of younger players that are coming up," he says. "I think two of the best of these groups are Triage and the Aram Shelton/Brian Dibblee Quartet. The battle to find places to play and develop the music is ongoing, but it seems to be possible for many other players in town to present the music on a really regular basis. When I'm home, I'm still playing between two and three times a week, which is unbelievable."

The new album, Acoustic Machine (Atavistic Records), was recorded in the old way, just some microphones in the room, and an amazing ensemble. The Vandermark 5 is on a world tour, once again. New influences will be added daily.

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Tom Tom Club: Smart Beat Dub Faction

originally published September 26, 2001

tomtomclub.jpg Photo by Kwaku Alston
However many directions the Pop pendulum happened to be swinging in at the dawn of the '80s, the gravitas was heaviest in da NYC. Rap, straight up the biggest issue in the music world, was re-configuring what was a muddled music industry after the disco boom and the punk insurgence died off and left us with... well... Air Supply. Or "Another Brick In The Wall." Monster chart players that both excelled at having little or nothing to do with what was most pressing about music at the time. But it wouldn't have been plausible to live in New York City and not be keyed in to the dawn of hip hop.

Enter drummer Chris Frantz and significant other bassist Tina Weymouth - 50 percent of one of the most forward-thinking bands the rock and roll establishment has ever seen. In between Talking Heads records that saw them blossom (again) artistically (Remain In Light) and saw them successful commercially (Speaking In Tongues, which carried their first Top Ten track...), the pair took a stab at representing the cross-pollination that was starting to occur around the City musically.

The Tom Tom Club, was a creatively natural progression that avoided seeming opportunistic or crassly commercial. Urban legends like DJ Frankie Crocker (he was my idol... R.I.P.) snapped off the Tom Tom's hit single "Genius of Love," and connected a direct patch between what on paper were two disparate gang mentalities. What were downtown new wavers doing with the Funk? Who let the Funk slip the boundaries of the Bronx and upper Manhattan and gave it a subway token to Soho? But there it was.

When the Talking Heads officially split in '91, the Tom Tom Club became a full-time concern for Frantz and Weymouth.

"There was this thing called Grunge that came along," says Frantz, speaking to Flagpole via telephone. "And there was this great band called Nirvana. And everybody in the record business thought you should sound like Nirvana. There was no way we were going to get that sound with the Tom Tom Club, so we just decided rather than do recordings and have them rejected because they didn't sound like Nirvana, we would just do something else."

Frantz and Weymouth briefly teamed back up with Talking Heads guitarist Jerry Harrison in '95 for The Heads (the band minus David Byrne) and released two soundtrack-sounding albums, Virtuosity (1995) and No Talking Just Head (1996).

"After we did the Heads project with Jerry Harrison, we started getting a lot of requests to sample the Tom Tom Club," says Frantz. "So we thought we should give people new stuff to sample as opposed to just the music we did 20 years ago.

Now, on the third or fourth leg of gigs in support of last year's The Good The Bad The Funky, Weymouth and Frantz play their first-ever Athens gig. Accompanied by a righteous band of musicians including percussionist Steve Scales (who also did a stint as a touring member of Talking Heads), the album is their first in eight years. Moving in directions that cover Dub, Electronica, and groovy R&B, the disc reasserts a schematic now in use the world over in virtually every pop subgenre. Artists from across all corners of the music world have sampled or reworked various Tom Tom Club beats and tunes.

"We like it," says Frantz of the various reworkings. "Not only is it a good source of income for us, it gives the songs a second or third or fourth life. A lot of people say, 'Didn't you hate what Mariah Carey did to 'Genius Of Love?' and our reaction is 'No!' As a matter of fact, if she hadn't, we might not be able to send our kids to the Savannah College Of Art and Design!"

Bring enough dancing partners and perhaps Frantz and Weymouth can be goaded into giving their cover of "Love To Love You Baby" a whirl.

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Hold Onto Your Walker: Roosevelt's Back In Town!

originally published September 26, 2001

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Scene veterans may remember Athens power trio Roosevelt as one of a pile of heavy hitting rock bands who kicked up some post-jangle dust in the early-'90s. Roosevelt played hard, loud and fast and had elements of the blues-rock of ZZ Top and Zeppelin, the ambling country sounds of Neil Young and Johnny Cash, the prog tendencies of King Crimson and the quirky punk of Meat Puppets. As the three guys grew older, the band matured musically, developing an accomplished instrumental technique and moving closer to the prog-rock complexities that were always underneath its punk. But Roosevelt never quite abandoned its classic rock roots, no matter how tangled.

Roosevelt (named for the U.S. presidents, not the likable guy who danced and hung out at the Georgia Theatre) kicked up in Athens in late 1989. Bassist John Crain and guitarist Daniel Priutt were longhaired university students who had already put a year or so into the prog-rock trio I.S.S. (or "Independent Skyleague Section") with drummer Isaac McCalla. The band broke up in late '89. After a stint on bass with Old Scratch and on drums with The Killbillys and Put The Strange Damsel To Work, bespectacled drummer (now Flagpole music editor) Ballard Lesemann completed the lineup in January, 1990.

Roosevelt independently released its vinyl-only full-length titled Shingle in 1991 and extensively toured the Southeast behind it. In 1992, the band recorded a vinyl-only, four-song EP titled Person and contributed three songs to the seven-band compilation album Fuel: Seven bands From Athens, Ga.. Both the EP and the comp came out on the fledgling local indie Self Rising Records.

This week, Roosevelt will reunite for the first time since its amicable split in '93 for a special "CD Release" show and will release a 17-song "best of" on compact disc titled 1990 1993 (Dust Bunny). The collection is culled from studio sessions recorded by David Barbe, Robbie Collins, Harper Hug and Rick Fowler. The album also includes live tracks recorded by Pattiy Torno at the Squashpile club in Asheville, NC, and by George Vest at the 40 Watt Club when it was located where the Caledonia Lounge now stands.

All three members of Roosevelt agreed to speak (if somewhat sarcastically) to Flagpole after their first rehearsal in eight years:

Flagpole: What style of music or "sound" was Roosevelt going for when the band formed, and did that sound have much in common with what was happening in the Athens music scene at the time?

John Crain: As far as sound goes, we were really just simply looking for the best sounds that would come out of our crappy amps. The style of music kinda just came naturally as a result of that in an effort to cover it up. And, yes, we did have a lot in common with other bands at that time. I think just about everybody but Mombo Fury was playing out of crappy amps...

Daniel Pruitt: We were originally going for a very quiet, subdued, peaceful and almost "silent" sound, but somewhere between practice space, bar and gig, it just got louder, faster, and more violent. I blame the Globe.

Ballard Lesemann: I was just happy to be playing with guys who could count to five or seven over and over without getting angry.

FP: In the old Classic City Live, writer Liz Ireland described the band as part of a "funk-metal" scene alongside Hayride, Thornyhold and others. Was this accurate?

JC: Almost accurate, but I don't think that we were quite deserving of such a distinguished title. Maybe "flunk-metal" or "funk-meatheads."

DP: Liz was great, and for the most part, I feel like she was always right on the money. But in this case, she just missed the mark. I personally felt that bands like us and Hayride were really more a part of the "love metal" scene evolving at the time. We just happened to be accompanied by a peculiar and often unpleasant "funk" due to bad hygiene among musicians. So you can understand why she was confused.

BL: Tags like those foreshadowed the awful stuff of today.

FP: Describe the music scene in Athens in the early '90s.

JC: The scene was pretty diverse. There were some very strong and exciting bands performing out. There were quite a few that sucked so bad you wanted to kick someone on your way out of the club to somehow make you feel a little better about paying the cover. I think R.E.M. was quite an inspiration for most bands at that time, and that was the problem. They inspired some folks that had no business playing out in public... like us, for instance.

BL: I think back then the clubs were more open-ended and not so worried about specifics. The R.E.M. wannabes were pretty much to the wayside and bands that felt compelled to play their own weird ideas kept sprouting up. The coolest bands were the ones who had the least in common with anything recognizable. We certainly never strolled around town with Bolo ties, baggy tuxedo shirts and raincoats on. Actually, we never strolled around town much at all.

FP: How did the material that ended up on the Fuel compilation and the Person EP differ from that early material that ended up on the debut album?

JC: The Fuel and Person tracks directly reflected our age. We were starting to get old and lazy and didn't want to play quite as fast as we had in our earlier days. Now, we're having our mid-life crises and we want to play Shingle material again. This is an attainable alternative to going out and buying a convertible of some sort, like so many other poor aging men.

DP: I think those recordings were different most likely because we hired other musicians to make the recordings. It just seemed easier.

BL: We were clueless about every aspect of the music biz when we recorded Shingle. Clueless, but full of spirit.

FP: What were some of the most frustrating things about being in Roosevelt?

JC: Listening to Ballard's warped views on life and watching Daniel nod in accordance with him. I felt so alone.

DP: Ballard's late afternoon prayer vigils. Looking back though, they probably helped...

BL: The constant feeling of embarrassment and naiveté. And dealing the shitheads who ran the record presses and booked the out-of-town clubs.

FP: What were some of the most rewarding things about being in Roosevelt?

JC: The 10 bucks in my pocket at the end of the night. And sometimes free Pabst Blue Ribbon!

DP: Financial security. And the chicks, good God the chicks! Oh, wait a minute, that wasn't us, that was Hayride.

BL: Yeah, right.

FP: A lot was said and written in the local and national press about Roosevelt's "instrumental prowess." What was all that hoopla about?

JC: Whoever said that and wrote that... they're liars.

DP: I think that was a misprint. It was actually "instrumental cowardice" if I remember correctly.

BL: Hey, these guys had their eyes open and knew where the notes were on the fretboards, so...

FP: How will you know that this upcoming reunion show at The Caledonia Lounge was a success?

JC: Free Pabst Blue Ribbon and very minimal heckling from the crowd.

DP: If my girdle doesn't come unhinged.

BL: If Ceiling Fan is smiling at the end of the night.

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Southern Co.'s Sneak Attack

originally published September 26, 2001

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If Athens sprawl continues, Athens-Clarke County could well become an air quality "non-attainment zone." But a power plant half a mile across the county line could freely poison everybody in Athens - exempt from the pollution restrictions that would apply to Athens-Clarke.

How can an "environmentally friendly" power plant degrade life in Athens?

Press releases say Plant Dahlberg is to be natural-gas fired, the cleanest type. It's hinted that new construction will be combined-cycle plants, the most efficient kind, a dandy idea, and very green. The impression is that the natural-gas fired combustion turbine plants will be "peakload," and will only run a few hours a year, when they're really needed.

But the huge amounts of cooling water necessary for the steam phase of the combined cycle just aren't there, and the Georgia Environmental Protection Division (EPD) draft operating permit for Dahlberg doesn't mention "combined cycle." That's because there are no plans for "combined cycle," only "simple cycle," which is less fuel efficient.

The press releases mention "catalytic reduction technology" - that is, the exhaust will be cleaned up using catalytic converters. This has been done in California. Again, very green. However, what is not stated is that the catalytic technology will be applied to Plant Dahlberg. The EPD draft operating permit indicates that it won't be. Disappointing information, and awfully hard to obtain, compared to the media exposure given to all the bogus "good news."

Is Dahlberg a peakload plant? No. The draft EPD permit allows each turbine to burn 3.8 BILLION cubic feet of natural gas a year. That comes to 205 days a year of full power operation. Most of the main line coal fired plants don't run that much.

Publicists and spin doctors have spoken of the taxes the plant will pay to Jackson County, contributing to "rural development." The Dahlberg turbines sound like giant stump grinders - just one may be heard miles away in the still country night. It's hard to imagine how, with all 12 going, anyone within five miles will be able to sleep, much less how that noise will stimulate desirable development of any kind.

Plant Dahlberg is huge, and getting huger. Projecting from data on other plants, and the EPD draft permit, we find its turbines are about 110,000 horsepower EACH. A phone conversation with an EPD engineer revealed that Dahlberg is permitted to produce from its combustion turbine units 1,600,000 horsepower. That's like 10,000 tractor-trailers running 24 hours a day, just four miles from the Athens perimeter.

A draft copy of Dahlberg's operating permit says right up front the plant is permitted to burn diesel fuel as a backup. But buried in the engineering language of the permit is the definition of "backup," which can be 54 days a year, 24 hours a day, of running all units on fuel oil. (It's stated each unit can run 1x10 to the 12th BTUs of fuel oil per year. Who, other than someone with an engineering background, can translate that into anything meaningful?)

Georgia has become a dumping ground for combustion turbine power plants. At present 43 are in existence, under construction, or planned, in 14 different counties. This is a peakload capacity comparable to the entire rest of the generating capacity in the state. That much peakload power isn't being used up in Georgia. So why do Georgians endure the noise and pollution of power plants that are exporting their product out of state for the benefit of far-removed stockholders?

Because Georgia lets them.

The out-of-state power companies cite "growth" (read: energy intensive sprawl) and "avoiding California-style problems" (read: smear alternative energy) as their reason for building their plants in Georgia.

Designed to take advantage of spot shortages and price spikes in electricity, there so many of these units are going on line they are creating spot shortages and price spikes for natural gas. In turn, Plant Dahlberg is equipped to take advantage of the price spikes in natural gas it will help to create.

When they've used up the available natural gas, many peakload plants, including Dahlberg, are equipped to burn cheaper fuel oil instead. Go out to "clean natural gas powered" Plant Dahlberg, and what do you see? Fuel oil tanks bigger'n hell.

There's more. The supine EPD allows the owners of Plant Dahlberg to run their own monitoring for sulfur dioxide and nitrogen oxide emissions. If they should use fuel with sulfur in excess of what is allowed, it is up to the plant to report its own violation to the EPD. The permit doesn't say what happens if the plant violates the pollution standards. Given the long-standing record of relations between Southern Company and the EPD, it's reasonable to assume very little, if anything, will occur.

Plant Dahlberg will expel exhaust right above ground level. According to the standard handbook for mechanical engineers, a coal burning power plant of similar size would be required to have a stack 400 feet high to adequately disperse pollutants before they got back to ground level.

You're going to get to breathe the pollution from Plant Dahlberg, and probably under the worst possible conditions: during a power crisis when every other power plant is running flat out, when Dahlberg is running fuel oil, and when it's 105 degrees.

Reprinted from the June 6, 2001 edition of Flagpole.

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More Power To Ya

A Texas power producer wants to bring Athens two things that we don't need: more electricity and more air pollution.

originally published September 26, 2001

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Chances are relatively few people in Athens have ever heard of the Enron corporation, a multi-national power company based in Houston, Texas. But if the company, ACC officials, and local business boosters have their way, an Enron power plant will soon be adding its emissions to Athens' already dangerously dirty air.

Dazzled by the promise of $3 million in annual tax revenues, and on the recommendation of a committee formed by Mayor Doc Eldridge, ACC Commissioners voted in May to "partner" with Enron North America "regarding the potential siting of an electrical energy production center." That site turned out to be on Newton Bridge Road, along the North Oconee River, where Enron wants to build a 560 megawatt natural-gas fired plant it calls the "Athens Energy Center."

Enron recently filed for an air quality permit from the Georgia Environmental Protection Division (EPD), using the name "Athens Development Company, LLC." The permit application came just after Commissioners were "briefed" on the project by Enron representatives. For those briefings, organized in mid-August by Chamber of Commerce president and ACC-Enron committee member Kevin Johnson, Commissioners were asked to meet with Enron "in small groups" in the Chamber Board room. Enron then flew four committee members and a consultant to Syracuse, New York, to visit a plant similar to the one the company has in mind for Athens.

Enron isn't the first power producer to flirt with Athens-Clarke. Government documents show that since the summer of 2000, the county has negotiated with three "international energy companies" looking to locate here. Two of those, Duke Energy and Texas Utilities, had bowed out as of this April. Enron, says an ACC Public Utilities report, "is aggressively pursuing the project and is anxious to partner with ACC."

So who are these guys, anyway?

The Enron Story

Enron is the top energy wholesaler in the U.S., and as such is one of the largest companies in the country. Though a little known brand in the Athens area, Enron is a household word in its native Texas. The Houston Astros now play at Enron Field, a spiffy new ballpark with a retractable roof, built with $100 million of the company's money. (In return, according to The Progressive, Enron received a $200 million contract to power the stadium, along with the obligatory tax break.)

Of course the Great American Pastime is just a hobby for Enron. As The Progressive article reads: "The Enron Methanol plant in Pasadena, Texas, lies in the Houston Ship Channel area, the nation's largest concentration of petrochemical plants just east of the city. The plant has won special concessions from [then-] Governor Bush, allowing the company to pollute without a permit, as well as giving it immunity from prosecution for violating some environmental standards."

Enron has been accused of using its influence over President Bush to profit from this year's California energy crisis. After Bush refused to intervene in order to control energy costs in that state, the Boston Globe wrote that Enron, "more than any other company, has helped bankroll President Bush's political career." Having been the largest contributor to Bush's campaigns for the House of Representatives (which he lost) and the Presidency, wrote the Globe, "Enron ... is among several brokers and producers of electricity that have reaped giant profits from California's power shortages and higher natural gas prices nationwide."

Enron is known outside the U.S. too, most notably in India, where the company is still entangled in the controversial Dabhol Power Corporation project.

A joint venture of Enron, General Electric, and engineering-construction firm Bechtel, Dabhol is a 2,015 megawatt plant 100 miles south of Bombay, in the state of Maharashtra. According to the San Francisco-based non-profit CorpWatch, the project was immediately opposed by locals, who feared its impact on their health and environment. Protests ensued, and were met with violence from police, who raided homes of protesters. Amnesty International found that several women were "beaten severely by Indian police paid for by Enron." Hundreds of other protesters were arrested and temporarily detained.

"The Dabhol Power Corporation pays the state forces that committed human rights violations," reads a 1999 report from Human Rights Watch, "it provided other material support to these forces; and it failed to act on credible allegations that its own contractors were engaged in criminal activity that rose to the level of human rights violations due to the failure of the state to investigate the crimes."

Enron denies complicity in the actions of Indian authorities, contending the company has no control over them.

Enron has other problems with the Dabhol project. The Indian government claims Dabhol energy is exorbitantly expensive, and the Maharashtra State Electricity Board (MSEB) is no longer drawing power from the plant. The Dabhol Power Corporation is pursuing legal remedies, and wants to sell the plant to the state or to its Indian investors.

In The Air Tonight


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Athens, too, is holding its own. As of this writing, EPA monitoring reveals that the county has exceeded safe quantities of ozone on six days in 2001. August 23 data clocked Athens ozone at .123 parts-per-million, well above the "unhealthy" level, at 11 p.m. - nearly unheard of for a reading at that time. And 2001 has been a mild year. By August of 2000, Athens had racked up 16 exceedences. Meanwhile, the latest data available on particulates - tiny airborne particles that accumulate in the respiratory system - shows that Athens, along with the rest of the state of Georgia, surpassed federal standards for the year 1999.

But those are abstractions, numbers on a chart. In the real world, particulates from power plants contribute to the deaths of 1,630 Georgians annually - a higher toll than from drunk driving accidents and homicides combined, says PIRG. Power plant smog contributes to 240,000 asthma attacks in Georgia during the summer months.

"Athens' air is really bad," says Robert Ukeiley, an attorney with the Georgia Center for Law in the Public Interest, a non-profit watchdog group, "so [the EPD] actually shouldn't be issuing any new permits."

Athens' air problems are likely to be exacerbated already by another power station so close by that it may as well be in Athens-Clarke. Southern Company's new plant Dahlberg is just inside Jackson County on Hwy 441 near Sandy Creek (see sidebar). Dahlberg is also gas fired, and at 1200 megawatts is over twice the size of the proposed Athens Enron facility.

When asked how much an Athens Enron plant would contribute to local ozone and particulates, Enron spokeswoman Lea Sooter replied: "I can't speak to the specifics on that."

It's Like, Natural

Natural gas fired plants are heralded by power producers as clean, almost green. Says Sooter: "I can tell you that the Sierra Club and some of the environmental organizations and groups believe that as far as power generation, if you must use a fossil fuel, then a combined cycle technology, using the highest emission controls... is the way to go."

Colleen Kiernan, of the Georgia Environmental Enforcement Project, agrees - to a point.

"Most environmentalists see us getting to a renewable energy situation, where our energy needs are met by a combination of solar and wind and fuel cells," she says, "and natural gas is an important transition to those. But natural gas in and of itself is still a fossil fuel, and still [causes] dangerous emissions into the air."

The Atlanta Journal-Constitution reports that the Mayor of Union City, in Fulton County, has asked another power generator, the Tulsa-based Williams Companies, not to build a gas fired plant there. Fearing "plant emissions would endanger the health" of the 1100 residents of nearby Christian City, a community of foster children and the elderly, Mayor Ralph Moore wants Williams to rescind its request to rezone 288 acres for the facility. Moore says "the prospect of the plant is creating 'high levels of public anxiety,' especially among senior citizens."

Duke Energy recently reached an agreement with environmental groups to lower emissions at a gas fired plant in Dalton, Georgia, according to the Georgia Sierran, the newsletter of the Sierra Club. This spring, the Georgia Center for Law in the Public Interest challenged the air quality permit issued to Duke by the state EPD, a permit it says did not meet standards set by the federal Clean Air Act. In response, Duke sued the environmental groups. The groups claimed the suit was an attempt to drain their financial resources and sought to have it dismissed. A preliminary court ruling favored the environmentalists, and Duke settled, saying it would reduce discharges of nitrogen oxides, volatile organic compounds, carbon monoxide and particulate matter.

"Another thing that I would want to point out is that in Georgia it's not like coal fired power plants, which are dirtier than natural gas, are being retired in favor of natural gas," adds Kiernan. "The proliferation of new natural gas fired power plants are being built in addition to the existing dirty coal fired power plants, and aren't really serving Georgia at all."

EP Who?

Ukeiley is the Georgia Center for Law in the Public Interest attorney who filed the petition contesting Duke's Dalton permit. In the Sierran, Ukeiley said, "We are extremely pleased that we were able to reach an agreement on this particular plant... However, the citizens of the state of Georgia should not have to appeal every single permit to ensure that the Georgia EPD is carrying out the Clean Air Act...."

ACC documents regarding the proposed Enron plant make vague references to its effects on air quality, but do not address specifics, leaving that task to EPD.

"We haven't really gotten to that point," says ACC Commissioner Tom Chasteen, who serves on the county's Enron committee. "That's part of the thing we're going to be getting from EPD at the appropriate time."

"We are going to meet all of the guidelines set forth by the local, state and federal regulatory agencies," says Enron's Sooter. But Ukeiley says EPD, which is responsible for enforcing federal EPA regulations, consistently proves itself more interested in accommodating power companies than protecting air quality.

"You have to look over their shoulder every single time they do anything," he says. "I think they're under the misguided view that their job is to promote economic growth at any cost."

"But having areas have poor air quality has significant economic consequences in terms of lost work or lost agricultural production," Ukeiley continues. "Ground level ozone, which is what Atlanta's problem is and what Athens' problem is, has a significant effect on vegetation. If you're a farmer or a tree grower or whatever, it's just not good for your business. Or if you own a Kinko's or a pizza store or whatever and your workers are missing work because their kids are having asthma attacks, it's just not good for your business. But EPD, I guess, thinks it's their job to help large corporations make a quick buck."

It's The Money, Stupid

Scanning the stack of documents associated with the project, one finds several references to an Athens Enron plant helping with potential shortages in the region's energy supply. The ACC Public Utilities report, presented to the Commission before its May vote to partner with Enron, lists the "ability to mitigate possible electrical constraints in the area" as a benefit. An Enron-produced booklet distributed to ACC officials also employs that refrain, in nearly identical language: "The Energy Center will help mitigate electricity constraints in the area."

Does Enron have evidence of a power shortage in Athens, especially in light of its proximity to plant Dahlberg?

"I wouldn't define it as an energy shortage, but there is a need in that area," says Sooter. "I know that there are areas - well, I'm not even going to go down that road. I can get you some more specific information on need. I just don't have it."

Enron has yet to present Flagpole with specific information on need, perhaps because there isn't any.

"Georgia is an exporter of energy," says Colleen Kiernan. Of the approximately 23,000 megawatts of power generated in the state annually, Georgia consumers use only about three-fourths of it. The rest is sold out of state. That doesn't stop power companies - or government officials - from using scare tactics and rhetoric to place plants in areas where they aren't needed. Even with Georgia's energy surplus (and filthy air), there are dozens of plants - like Enron's "Athens Energy Center" - awaiting EPD permits.

Contrary to Enron's response to Flagpole and the ACC Public Utilities report, Commissioner Chasteen says the company has been "candid" about what will become of power generated by a local plant. "It's going to go on their power grid, and whoever buys it just buys it. It could be brokered all over the country," says Chasteen. "We have not looked at it from the perspective that it would make the availability of power here better, worse or indifferent."

An Enron plant could come to the rescue in a "worst case scenario," Chasteen says. Otherwise, it's about the money.

"These sorts of facilities are especially appealing in rural parts of Georgia where county commissioners are often so desperate for economic development that they'll essentially shoot themselves in the foot for it," says Kiernan. "What winds up eventually happening is the economic development comes from people getting sick."

Wastewater, Want Water

If Enron does come to town, Athenians supporting the smog economy will at least know they have a super-sized wastewater treatment system to rely on.

In addition to augmenting the local tax digest, the Enron project would bring a $20 million upgrade to the county's wastewater infrastructure, most of it to be paid by Enron. The improvements would give Athens-Clarke County assistance in financing a project it had its sights set on anyway, and would allow Enron to use treated wastewater for cooling purposes, rather than water drawn directly from the North Oconee.

"The extraction from our raw water supply would not be increased at all because they're going to be getting gray water," says Chasteen.

Not necessarily so, says Robert Ukeiley.

"From a downstream user's point of view, there's less water in the river," he says. "And it's actually worse, because you're treating more water than you need if you were just taking the water right out of the river. I think gray water systems are a good idea, but not to the point where you're using so much water that it's starting to affect the flow of the rivers."

As far as impairing the river's water level, Chasteen acknowledges, "It would mean that a little bit more of it would be evaporated and would not be going back in the river, so we're checking to see what impact that's going to have down the road too."

Fast Track

For Enron to build its plant here, the company will have to secure a special use permit from the ACC Commission. The company's proposed timetable for the project has that happening in February 2002, which Chasteen calls "awfully optimistic."

However, he adds, "Now that's not to say that it might be possible if everything fell in place, the February date might hit."

Given normal procedures, the public will be given one chance to comment on the "Athens Energy Center" - on the night of the Commission vote.

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Beulah Offers Thoughtful Instrumental Pop Not To Be Mistaken For Twee

originally published September 26, 2001

beulah.jpg Photo by John Clark
"I want for people to go into our live show thinking we're pure shit and us to blow them away," asserts Beulah frontman and songwriter, Miles Kurosky. With a laugh he adds, "I don't want people standing there with crossed arms, 'All right man, we heard in the weekly that you're supposed to be the badasses, what do you have for us?'"

Much to the detriment of Kurosky's hopes, word is out on Beulah and the band's engaging brand of smart lyric-laden instrumental pop.

On Beulah's most recent release, The Coast Is Never Clear (Velocette), the San Francisco sextet offers up its most well produced and lyrically mature effort to date. The lineup consists of Miles Kurosky on guitar and vocals, Bill Swan on guitar and trumpet, Patrick Noel and Bill Evans on keys, Steve La Follette on bass and Danny Sullivan on drums. The music was assembled in a patchwork quilt-style with Kuroksy sending out tapes of the songs to his fellow bandmates during his extended visit to Japan. Cautioned not to discuss their impressions with the other members of Beulah, they made tapes of what they envisioned as their parts and sent them back to the songwriter. After collecting them, Kurosky arranged and tweaked the songs before heading into the studio with the band. According to the frontman, this process made The Coast Is Never Clear, "a far more collective record," than the band's earlier efforts. And while the record builds off of the lush arrangements of 1999's When Your Heartstrings Break (Sugarfree), the band has streamlined its lineup (which included 18 guest artists on its last record) and opted to utilize pre-synthesizer keyboards and learn any instruments the members felt were needed for recording. As a result, The Coast Is Never Clear's content is much more even than the band's earlier efforts.

When asked, Kurosky couldn't pick out a favorite track on the latest. "I like the ones that are least like the ones that sound like the way people assume Beulah to be... I like the whole thing because it is a personal record and it's emotionally provocative."

The thoughtful nature of the lyrical content of Beulah's work has long been overlooked. The lighthearted, up-tempo instrumental pop speaks a bit to the twee movement, but the lyrics hardly sound like the anti-sex, drugs and rock and roll, pro-puppy love content associated with the likes of the early Kindercore Records catalogue.

Kurosky reflects, "Lyrically Beulah is an anything but twee. When I sing, 'When you flew through that windshield and your life passed reel-to-reel,' it's not very twee. I steer very clear of lunch pails and horn-rimmed glasses on lyrics. Instead, the lyrics on The Coast Is Never Clear all emerged from the same place... a two week period where I investigated my relationship with all these things [around me.]"

All these things included Kurosky's relationship with his family, his girlfriends, his environment and himself. On the tinkling, piano-inflected, bossa nova jaunt "What Will You Do When Your Suntan Fades?", Kurosky vocally reaches as he reflects, autobiographically, "All those drugs you take/ can not help you save your soul." While on "Hey Brother" atop a moderato pop tempo and Bill Swan's catchy trumpet hooks, he tells the story of a guy who gets his girlfriend pregnant. In the chorus, the protagonist recollects matter-of-factly, "You said you were late/ and I planned my escape."

Hardly dealing with light-hearted matters, it seems that The Coast Is Never Clear may free Beulah from the "twee" pigeon-hole. However, Kurosky might remain disappointed that the band's reputation as live performers will continue to garner crowds of folks demanding to be blown away. That reputation may prove much harder to escape.

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